There is no one size fits all when it comes to shoes: no one would pay for shoes that don’t fit, and compared with only having to cater for shoes in only one size, creating shoes in a range of sizes costs manufacturers a good deal more. They do this because having one size means only a small group of people is able to enjoy and use the product the way it was intended, and as a result, fewer shoes would be sold.
This doesn’t apply to pianos though – keyboards only come in one size, and if your hand doesn’t happen to fit, you’re out of luck. This state of affairs discriminates against those with smaller hands, and the struggle against ergonomics these pianists persevere through to play the instrument they love is something those with larger hands don’t experience. You were simply out of luck – until relatively recently.
I was grateful to discover David Steinbuhler’s smaller keyboards four years ago – in keeping with his philosophy, he offers not just one, but four alternate sizes with increasingly narrower keys – and when I first received my upright, I never enjoyed playing music so much. Everything was unprecedented: I was doing things on the piano I’d never been able to do before – in particular, playing previously impossible chords cleanly – and doing the things I’d done before felt more effortless and natural.
Over time, you accept that the world is a certain way, but in the age we’re fortunate to live in, suddenly Lasik comes around and changes your perception of life forever – or a piano that fits your hands arrives, and profoundly transforms your ability to create and enjoy music.
Update: David tells me their company became a non-profit a couple of years ago, and is dedicated to furthering awareness and adoption of alternative keyboards; in addition, the growing movement and community has a website, which is a comprehensive resource for anyone wanting to find out more, including information on piano manufacturers and technicians.